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Alfred JarryAlfred Jarry (September 8, 1873 - November 1, 1907) was a French writer born in Laval[?], Mayenne, France. He is best known for his play Ubu Roi[?] (1896), which is often cited as a forerunner to the theatre of the absurd. His texts presents some early work in the themes of the 'absurdity of existence' and 'sensibilities'. Sometimes grotesque or misunderstood (remember the famous 'Merdre!' , meaning something like 'Shrit!'), he put his mark on a science called 'Pataphysics'. Pataphysics is the acceptance of every event in the universe as an EXTRAORDINARY event. If you let a coin fall and it falls, the next time it is just by an infinite coincidence that it will fall again the same way; hundreds of other coins on other hands will follow this pattern in an infinitely unimaginable fashion. -Jarry wrote thus. French authors Raymon Queneau[?], Jean Genet and Jean Ferry[?] have described themselves as following the Pataphysical tradition. He died of alcoholism and tuberculosis in Paris, France on November 1, 1907 and was interred in the Cimetiere de Bagneux[?], near Paris. Plays:
Novels:
Other notable works:
is there really a movement called Jarivism, or is that just a joke by Jan Brusse[?]? earlier industrial classes. Constant revolutionising of
everlasting uncertainty and agitation distinguish the bourgeois.html">bourgeois.html">bourgeois
with their train of ancient and venerable prejudices and
are swept away, all new-formed ones become antiquated before they
is profaned, and man is at last compelled to face with sober
his real conditions of life, and his relations with his kind.
The need of a constantly expanding market for its products chases
nestle
given a cosmopolitan character to production and consumption in
drawn from under the feet of industry the national ground on
been destroyed or are daily being destroyed. They are dislodged
question for all civilised nations, by industries that no longer
remotest zones; industries whose products are consumed, not only
wants, satisfied by the productions of the country, we find new
lands and climes. In place of the old local and national
direction, universal inter-dependence of nations. And as in
creations of individual nations become common property. National
impossible, and from the numerous national and local literatures,
production, by the immensely facilitated means of communication,
The cheap prices of its commodities are the heavy artillery with
barbarians' intensely obstinate hatred of foreigners to
adopt the bourgeois mode of production; it compels them to
become bourgeois themselves. In one word, it creates a world
towns. It has created enormous cities, has greatly increased the
a considerable part of the population from the idiocy of rural
it has made barbarian.html">barbarian and semi-barbarian countries dependent on
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