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Bottom (BDSM)In BDSM, a bottom is a partner who takes the role of slave or victim, submitting to such acts as bondage, flogging, humiliation, or servitude from the top.A bottom isn't necessarily submissive, and vice versa. At one end of the continuum is a submissive who enjoys taking orders from a dominant but doesn't receive any physical stimulation. At the other is a bottom who enjoys the intense physical and psychological stimulation but doesn't submit to the person delivering them. It should be noted that the bottom is most often the partner who is giving instructions - the top typically tops when, and in the manner, requested by the bottom. In order to explore BDSM sex, it is essential to be careful and choose a top who will be responsive to one's needs, feelings, and limits. (See safeword.) Failure to choose a trustworthy top can be very dangerous, and even a trustworthy but overzealous top can inflict severe pain or injury by failing to pay attention to the bottom. Note that in BDSM sex, it is commonplace for two partners to switch roles from one encounter to the other, depending on mood and preference, a practice known as switching. The term submissive or sub is more precise than "bottom", since the term "bottom" is also used in vanilla, especially gay, sex to refer to a receptive partner, or as an intransitive verb meaning to have receptive sex with. As above, it is very commonplace for partners to change roles from one encounter to the next or to have both insertive and receptive sex. Bottoms sometimes identify themselves by wearing a set of keys on the right side of the belt or a color-coded handkerchief in their right rear pocket. This practice, called flagging, began in the gay male subculture but appears to be dying out. In Japanese bondage and sexually-themed anime and manga (especially yaoi), a bottom is referred to as uke, a term from kabuki. So wie sie.html">sie.html">sie munter wird, damit zu ueberraschen.
In sanftem Schlaf; ihr gluehn wie Rosen ihre Wangen,
Entzueckt in suesses Schau'n, den reinsten Liebsgenuss,
Der schoenen Schlaeferin; betrachtet,
Das engelgleiche Bild, den immer neuen Reitz;
Dem, wer's erreichen mag, sonst alles, unbedingt,
"Um einen Thron hat Liebe dich betrogen!
Der Asiat'schen Pracht wolluestig auferzogen,
Dein Baldachin, dein Bett ein wenig Moos;
Noch gluecklich, hier, wo Disteln kaum bekleiben,
"Und Ich--der, in des Schicksals strenger Acht,
Verurtheilt bin--anstatt vor Unfall dich zu decken,
So lohn' ich dir.html">dir was du fuer mich gegeben,
Dein Alles in der Welt, was kann ich fuer dich thun,
Diess quaelende Gefuehl wird unfreiwillig laut,
Das erste was sie sieht, ist Hueon, der, mit Blicken
Den tiefern Gram nur halb erdruecken,
die.html">die.html">Die magre Kost und eine Muschelschale
Zum Goettermahl! Denn ruhet nicht ihr Haupt
Die suesse Frucht? nicht Er des Schlummers sich beraubt,
So rechnet ihm die Liebe alles an,
Die Wolken zu zerstreun, die seine Stirn umdunkeln,
Er fuehlt den Ueberschwang von Lieb' und Edelmuth
Und mit bethraentem Aug' und Wangen ganz in Gluth
Ruft er, mich selbst nicht hassen, nicht
Die mir das Leben gab, verwuenschen jenes Licht
Dich, bestes Weib, durch mich, durch mein Vergehn,
Von jedem Glueck, das dir zu Bagdad lachte,
In meinem vaeterlichen Land!
Und noch zu sehn, wie du diess alles ohne Klagen
Ihn sieht mit einem Blick, worin der Himmel sich
Amanda an: Lass, spricht sie, Hueon, mich
Nie wieder hoeren! Klage dich
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