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Comte de Lautréamont : Comte de LautreamontComte de Lautréamont is a pseudonym for Isidore Lucien Ducasse (Montevideo, Uruguay, April 4, 1846 - November 4, 1870), a French poet and writer. Isidore Ducasse was born to a French Consular Officer and his wife. Little is known about his childhood, but it is believed he moved to France at the age of 10 to attend a Parisian lycée. He left school aged 19 to travel, but soon returned to Paris, where he began writing his seminal work, "Les Chants de Maldoror", under the name Comte de Lautreamont (based on a character from a popular French gothic novel) The first canto of the book was published in 1868, and the complete work in 1869. The publisher Lacroix however refused to sell the book as they feared prosecution for blasphemy or obscenity. While fighting to have the work published, Ducasse began work on a book of poetry titled Poesies, however this work remained unfinished as the author died under unknown circumstances. Les Chants de Maldoror is based around a character called Maldoror, a figure of unrelenting evil who has forsaken God and mankind. The book combines an obscene and violent narrative with vivid and often surrealistic imagery. The book is often seen as an important work of French symbolism. The artist, Amedeo Modigliani always carried a copy of the book with him and used to walk around Montparnasse, quoting from Maldoror. In the 20th century it was acknowledged by the writer André Breton as being a direct precursor to surrealism. Chimney.--When the fire.html">fire.html">fire is intense, and the weather very cold,
circumstances Chimneys seldom smoke.
As the cold water.html">water.html">water of the jar immediately surrounding the bottle
the other parts of the water in the jar will remain cold, this
surrounds it, will be forced upwards; and if it finds its way
water.--The warmed air.html">air.html">air of a room.html">room.html">room heated by an open Chimney
inaccurate expression,) and finding its way into the Chimney
explain and illustrate, in a clear and satisfactory manner,
are absolutely necessary in order to judge, with certainty,
Fire-places; or to take effectual measures, in all cases,
and alterations which are produced by accident, whim, and caprice,
improvement under such guidance must be exceedingly slow,
numerous, and various; but as a general idea of them may.html">may be
various parts of this Essay, and as they may, in all cases,
alterations in Fire-places here pointed out; I do not think.html">think it
those long details and investigations which would be required to
alone, or in conjunction with others.
There is however one cause of smoking Chimnies which I think it
houses, where the doors.html">doors and windows.html">windows are generally made to close
air from without, the Chimnies in rooms adjoining to each other,
each other, and this is easy to be accounted for.--When there is
supply the current up the Chimney where the fire burns cannot be
crevices of the doors and windows, the air in the room becomes
which is employed in keeping up the fire, or supporting the
its elasticity is diminished, and being at last overcome by the
rushes into the room by the only passage left for it, namely, by
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