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Gospel of Mark : Gospel of markThe Gospel of Mark is the second Gospel in the New Testament, though, based on the most commonly accepted solution to the synoptic problem, it is generally believed to have been the first to be written (Markan priority). It was traditionally believed that the writer, known as Mark, derived his information mainly from the discourses of Peter, although the author is in fact unknown. According to the tradition, in his mother's house he would have abundant opportunities of obtaining information from the other apostles and their helpers, yet he was "the disciple and interpreter of Peter" specially. As to the time when it was written, the Gospel furnishes us with no definite information. Mark makes no mention of the destruction of Jerusalem, hence it must have been written before that event, and probably about A.D. 63. The place where it was written was probably Rome. Some have supposed Antioch (comp. Mark 15:21 with Acts 11:20). The gospel of Mark was written primarily for an audience of Greek-speaking citizens of the Roman Empire. This appears probable when it is considered that it makes no reference to the Jewish law, and that the writer takes care to interpret Aramaic words and phrases which a Gentile would be likely to misunderstand, such as, "Boanerges" (3:17); "Talitha cumi" (5:41); "Corban" (7:11); "Bartimaeus" (10:46); "Abba" (14:36); "Eloi," etc. (15:34). Jewish usages are also explained (7:3; 14:3; 14:12; 15:42). Mark also uses certain Latin words not found in any of the other Gospels, as "speculator" (6:27, rendered, A.V., "executioner;" R.V., "soldier of his guard"), "xestes" (a corruption of sextarius, rendered "pots," 7:4, 8), "quadrans" (12:42, rendered "a farthing"), "centurion" (15:39, 44, 45). He only twice quotes from the Old Testament (1:2; 15:28).
The characteristics of this Gospel are,
In Mark we have no attempt to draw up a continuous narrative. His Gospel is a rapid succession of vivid pictures loosely strung together without much attempt to bind them into a whole or give the events in their natural sequence. This pictorial power is that which specially characterizes this evangelist, so that 'if any one desires to know an evangelical fact, not only in its main features and grand results, but also in its most minute and so to speak more graphic delineation, he must betake himself to Mark.' The Gospel lacks some of the elements of the Gospel narratives found in the later Gospels. Mark makes no mention of a virgin birth, and there is some dispute among scholars as to whether the last 12 verses, which describe a resurrected Jesus, were actually part of the original Gospel, or if they were added on later. The oldest manuscripts do not contain these verses, suggesting that they were a later addition. The leading principle running through this Gospel may be expressed in the motto: "Jesus came...preaching the gospel of the kingdom" (Mark 1:14). Yet the Gospel also portrays Jesus as consistently attempting to hide his identity as the Messiah from the general public. This persistent theme is often referred to as the Messianic secret, and is one of the distinguishing characteristics of Mark in constrast with the other Gospels. "Out of a total of 662 verses, Mark has 406 in common with Matthew and Luke, 145 with Matthew, 60 with Luke, and at most 51 peculiar to itself." Critics charge that some of the passages about Jews in the New Testament have been used to promote and condone anti-Semitism.
See also: Mark 16 -- discussion of possible additions to the final chapter of Mark. au/au.html">au/au.html">au/au.html">Au lieu même
au hasard, comme tant de pères en usent avec un fils légitime
charger de l'instruire.
Gassendi ayant démêlé de bonne heure le génie de
Jamais plus.html">plus.html">plus.html">plus illustre maître n'eut de plus dignes disciples. Il
fausse que les autres, avait au moins plus de méthode et plus
barbarie.
Poquelin continua de s'instruire sous Gassendi. Au sortir
morale plus utile que sa physique, et il s'écarta rarement de ces
obligé d'exercer les fonctions de son emploi auprès du roi.
Languedoc en 1641 ; et, de retour à Paris, sa passion pour la
avec force.
Le théâtre commençait à fleurir alors : cette partie des
à la gloire d'un Etat quand elle est perfectionnée.
Avant l'année 1625, il n'y avait point de comédiens fixes à
en ville : ils jouaient des pièces de Hardy, de Monchrétien, ou
l'avilissement, vers l'année 1630. Ses premières comédies, qui
pour le nôtre, furent cause qu'une troupe de comédiens
Richelieu pour les spectacles mit le goût de la comédie.html">die à la
représentaient alors que nous n'en voyons aujourd'hui.
Poquelin s'associa avec quelques jeunes gens qui avaient
Saint-Germain et au quartier Saint-Paul. Cette société éclipsa
voit par une tragédie de ce temps-là, intitulée Artaxerce,
représentée sur l'illustre. All is still licensed under the GNU FDL.
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