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Gothic alphabetIt was probably Bishop Ulfilas who created the Gothic letters in order to produce a translation of the Bible into the Gothic language. As in the case of the runes, there have been scholars who claim that Ulfilas' letters have been developed from a single source. Kirchhoff (1854) claimed that the origins of all Gothic letters are Greek, and Zacher (1855) maintained that Ulfilas created all the letters with Latin counterparts in mind (Braune 15-16). Later on, scholars tended to agree that the letters are mainly of Greek origin, with the exception of some letters that must be of runic and Latin origin (ibid.). However, there are still scholars like Ebbinghaus (Braune 16) who maintain that the origins of the alphabet are to be viewed as monogenetically Greek. Wimmer (1887), Gutenbrunner (1950), Mossé (1950) however all agree that the Gothic alphabet must be viewed as a synthesis of two traditions, namely the "latino-graeca" and the "runo-graeca" (ibid.) Most letters are seen as Greek by the majority of scholars, but the origin of some letters, e.g. the symbols for /f/, /j/ and /u/, is controversial (Braune 16). Actually, the Greek alphabet had no letter for /j/ and there was no /j/ in the Greek of that time, and the Latin letter I stood for /i/ as well as /j/. So the Runic /j/-letter was an obvious choice. The Latin V was ambiguous, unlike the runic /u/-grapheme. Both the letter forms and phonetic facts can be used as evidence against monogenetic theories. There are many other alphabets derived mainly from Greek that also have a few letters of different origins, e.g. Coptic (DB 287), Armenian (DB 366) and Glagolitic (DB 347), the script from which the Cyrillic was derived. The name Gothic is also applied to a particular version of the Latin alphabet. See Gothic script. Braune, Wilhelm. 1981. Gotische Grammatik. Mit Lesestücken und Wörterverzeichnis. 19. Aufl., neu bearbeitet von Ernst A. Ebbinghaus. Tübingen: Max Niemeyer Vlg. Daniels, Peter T. and William Bright. 1996. The world's writing systems. NY and Oxford: OUP 1996. (=DB)
See also Gothic language Go and see what they want," said Mr.
desire that the crew.html">crew of the Haliotis should come ashore again,
steamer into a convict-hulk. They would wait - he explained this
continue to wait till the man-of-war came along, exactly where
would open fire, and he would not scruple to use the two cannon.html">cannon
an armed escort. The skipper, bare to the waist, and rowing,
occasion, and revenged himself for the bitter words in the
the crew. The barge returned to the Haliotis in silence, and the
the nostrils.
"I knew it," said Mr. Wardrop; "and they won't give us good food,
can't work on fruit. We know that."
Then the skipper cursed Mr. Wardrop for importing frivolous
another, and the Haliotis, the voyage, and all that they knew or
decks, and their eyes burned in their heads. The green harbour
hills inland, at the white houses above the harbour road, at the
sitting round the two cannon, and, last of all, at the blue bar
imaginary lines with his untrimmed finger-nails on the planking.
"I make no promise," he said, at last, "for I can't say what may
here's us."
There was a little scornful laughter at this, and Mr. Wardrop
trousers he had been Chief Engineer of the Haliotis.
"Harland, Mackesy, Noble, Hay, Naughton, Fink, O'Hara, Trumbull."
"Here, sir!" The instinct of obedience waked to answer the
them. We'll get my stores out, and clear away the shores we
that they're in the Haliotis, - under me."
He went into the engine.html">engine-room, and the others stared. They were
experience. None who had seen the engine-room believed. All is still licensed under the GNU FDL.
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