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Hong Kong copyright lawCopyright law in Hong Kong to a great extent follows the English model. The handover of Hong Kong from Great Britain to the People's Republic of China guaranteed Hong Kong internal autonomy, which is reflected by Hong Kong's localised intellectual property regime.Copyright in Hong Kong under the Copyright Ordinance Cap 528 is broken down into:
Copyright comes into existence at the same time as the creation: there is no formality of registration in Hong Kong. The author of the work is deemed to be the person who creates the work (with exceptions for commissioned works and employee works). Copyright expires 50 years after the death of the author. The Hong Kong legislation recognises moral rights ("droit d'auteur[?]"). Controversial changes criminalising the copying of materials in the course of trade were introduced in 2000: in so far as they affect printed matter, these were quickly suspended following an outcry from educational groups and consumer groups. Hong Kong is currently unique in the common law world for treating copying infringing materials differently from non-printed materials. Copyright laws are administered by the Intellectual Property Department of the Hong Kong Government. See also: Hong Kong trademark law
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poetical reputation, that I am not willing to dismiss them with
erroneous, yet many parts deserve at least that admiration which is
fancy. The thoughts are often new, and often striking; but the
total negligence of language gives the noblest conceptions the
materials. Yet surely those verses are not without a just claim to
could have written them.
The "Davideis" now remains to be considered; a poem which the author.html">author
scruple of declaring, because the "AEneid" had that number; but he
poems have been left unfinished by Virgil, Statius, Spenser, and
to be regretted; for in this undertaking Cowley is, tacitly at
so great a work produced by an author generally read.html">read, and generally
Whatever is said of Cowley, is meant of his other works. Of the
emerges in conversation. By the "Spectator" it has been once
Flecknoe," it has once been imitated; nor do I recollect much other
English literature.
Of this silence and neglect, if the reason be inquired, it will be
performance of the work.
Sacred history has been always read with submissive reverence, and
acquiesce in the nakedness and simplicity of the authentic
as suppresses curiosity. We go with the historian as he goes, and
vain; all addition to that which is already sufficient for the
profane.
Such events as were produced by the visible interposition of Divine
of creation, however it may teem with images, is best described with
made."
We are told that Saul "was troubled with an evil spirit;" from this
history of Lucifer, who was, he says,
Like Hesper leading forth the spangled nights;
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