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Odilon RedonOdilon Redon (April 22, 1840 - July 6, 1916) was a symbolist painter. Odilon Redon was born in Bordeaux, Aquitaine, France. The image shown here is a photo of Redon’s self portrait painted in 1880 that now hangs in the Musée d'Orsay, Paris, France. Odilon Redon started drawing as a very young child and at the age of ten, was awarded a drawing prize at school. At age 15, he began to study drawing but on the insistence of his father switched to architecture. Any career in architecture ended when he failed to pass the entrance exams at Paris’ École des Beaux-Arts but eventually he would study there under Jean-Léon Gerôme[?] (1824-1904). Back home in his native Bordeaux, he took up sculpture and was instructed in etching and lithography by Rodolphe Bresdin[?] (1822-1885). However, his artistic career was interrupted when he joined the army in 1870 to serve in the Franco-Prussian War. At the end of the war, he moved to Paris, working almost exclusively in charcoal and lithography. It would not be until 1878 before his work gained any recognition with "Guardian Spirit of the Waters" and he published his first album of lithographs titled: "Dans le Rêve" in 1879. Still, Redon remained relatively unknown until the appearance in 1884 of a cult novel by Joris-Karl Huysmans titled: "A rebours (Against Nature) ." The story featured a decadent aristocrat who collected Redon's drawings. In the 1890s, he began to use pastel and oils. That dominated his works for the rest of his life. In 1899, he exhibited with the Les Nabis at Durand-Ruel's[?]. In 1903 he was awarded the Legion of Honor. His popularity increased when a catalogue of etchings and lithographs was published by André Mellerio[?] in 1913 and that same year, he was given the largest single representation at the New York Armory Show. Odilon Redon is considered by many as the greatest of the French Symbolist painters. His works can be found at some of the great museums in Europe and North America. In 1923 Mellerio published: "Odilon Redon: Peintre Dessinateur et Graveur."
Selected works
I should like to have enlarged on the services
majority of the people of Ireland; but I shall content myself
representative
supporter of freedom of conscience, and is not prepared to prove
great and beneficent work which you, Father Dempsey [Father
the lighter, but still most important question of the sports of
night--but after all, these are questions of detail. The main
of some means, able to help the locality instead of burdening it.
House of Commons would be immense! tremendous! Pardon my saying
good.html">good.html">good.html">good.html">Good morning, gentlemen.
He turns impressively to the gate, and trots away, congratulating
having done a good stroke of political business.
HAFFIGAN [awestruck]. Good morning, sir.
THE REST. Good morning. [They watch him vacantly until he is out
him; but for the matter o that, neither has our present member.
DORAN. Arra musha he's good enough for parliament what is there
Irish party?
CORNELIUS [ruminatively]. He's the queerest Englishman I ever
was that an English expedition had been bet in a battle in Inja
he'd been alive when the news o Waterloo came, he'd a died o
right enough.
MATTHEW [deeply impressed by Broadbent, and unable to understand
rethrenchment? That was very good, I thought.
FATHER DEMPSEY. You might find out from Larry, Corny, what his
Egyptians, though we have good warrant for it; so I'd like to
They all rise. All is still licensed under the GNU FDL.
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