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Roman numerals : Roman number systemThe sytem of Roman numerals is a numeral system originating in ancient Rome. It is based on certain letters which are given values:
Throughout the centuries, there has been variation in some of its symbols - specifically in the subtractive notation (which uses, e.g. IV to denote 4 instead of IIII) has entered universal use only in modern times. For example, Forme of Cury, a manuscript from 1390, uses IX for 9, but IIII for 4. Another document in the same manuscript, from 1381, uses IV and IX. A third document in the same manuscript uses IIII, IV, and IX. The Romans themselves didn't seem to bother that much about what was the correct formation of a number; constructions such as IIX for eight have been discovered. In many cases, there seems to have been a certain reluctance in the use of subtractive notation. Some rules regarding Roman numerals state that a symbol representing 10^x may not precede any symbol larger than 10^(x + 1); use XCIX not IC for 99. Use of Roman numerals today is mostly restricted to ordinal numbers, such as volumes or chapters in a book or the numbers identifying monarchs (e.g. Elizabeth II). The BBC uses them to denote the year in which a programme was made. Sometimes they are written using lower-case letters (thus: i, ii, iii, iv, etc.), particularly if numbering paragraphs or sections within chapters. Undergraduate degrees at British universities are generally graded using I, IIi, IIii, III for first, upper second, lower second and third class respectively. The "modern" Roman numerals, post-Victorian era, are shown below:
An accurate way to write large numbers in Roman numerals is to handle first the thousands, then hundreds, then tens, then units.
External linkMathworld on Roman Numerals (http://mathworld.wolfram.com/RomanNumeral.html)See also: Numeral system, Arabic numerals, Armenian numerals, Babylonian numerals, Chinese numerals, Greek numerals, Hebrew numerals, Indian numerals, Mayan numerals. He raises up the dead.
"Gracile and straight.html">straight as birches,
They fill true-lovers' drink-horns up,
A slim and shimmering mesh;
Two bodies made one flesh.
"Lust is a sprightly servant,
Love is a bitter.html">bitter master,
Fattened sloth of the hands,
Only immortal fires to rend --
And your stream chokes in the sands.
"Pleached calms shall not await you,
Nought but the living moorland
And your love's hand in yours;
The mercy that endures.
"Then, though they give you to be burned,
You have found the world's heart.html">heart in the turn of a cheek,
That stood so straight in the sun,
Where the lost and furious fight goes by --
When the red day is done!"
Their mirth rolled to the rafters,
Light as a drifting feather
In drowsy rooms and warm;
Shattered across the storm.
Within, the great logs crackled,
Without, the black cloaks of the clouds
God! but the night was murk!
And left them to their work.
Their shouts rolled to the rafters;
And I left them in the tavern,
Died, and were gone. The genie spoke: "Thy song.html">song
Many and rending pains
A bitter brine crusted the fisher's cheek --
Show me a task, a task!"
O hidden beauty, naked as a star;
Making them lamps of praise;
And Death is on the singers and the song.
And the heart wearies of wine,
In her gold house the pipe calls querulously,
They talk to her and tend her;
A faint song chimed, grew clearer, till at last
Where the dumb ripples sweep,
And the prow met the sand. The purple veils
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